THE WONDERFUL AND FRIGHTENING WORLD OF MARK E. SMITH

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‘THE WONDERFUL AND FRIGHTENING WORLD OF MARK E. SMITH’

The Fall were famously the favorite band of legendary BBC DJ John Peel—the Fall recorded a whopping 24 Peel sessions, the most of any act, and the 2005 box set containing all of them is essential listening for any Fall devotee—the second disc in particular is fucking great.

The BBC documentary The Wonderful and Frightening World of Mark E. Smith obviously cribs its name from the Fall’s similarly titled album of 1984. The program documents the Fall’s origins, including their first recording session, which was financed by Buzzcocks manager Richard Boon, through their furtive (Brix-fueled) attempts at wider popularity in the 1980s, to their, or rather, his more or less current status as undeniably batshit punk elder.

The interview features interviews with past members Una Baines, Marc Riley, and Steve Hanley as well as (of course) tons of commentary from Smith himself, virtually all of which is damned hard to understand for U.S. viewers, which of course adds to the charm and mystique of it all.

.dangerous minds

 

UNDER THE RADAR: The Magnetic Fields – “’71 I Think I’ll Make Another World”

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UNDER THE RADAR: The Magnetic Fields – “’71 I Think I’ll Make Another World”.

Magnetic Fields’ main man, Stephin Merritt, is no stranger to a sizeable project, his most famous album is after all a three disc, three-hour long, 69 song opus covering almost every aspect of love you can imagine. So writing an album of fifty songs, one for every year of your life, well that seems a pretty straight forward task in comparison. Started on his 50th birthday, 50 Song Memoir, which was released on Nonesuch last week, is in many ways his musical auto-biography. A treasure trove of non-fiction events; an intimidating but brilliant collection, it’s the sort of record you feel as a listener, you probably won’t truly get your head around for many months, years, even lifetimes to come.

This week to promote the release, The Magnetic Fields have shared videos for a number of tracks from the record, our favourite of which is, ’71 I Think I’ll Make Another World. Set when Stephin was six, it finds him dreaming of starting a new world, and the freedom that would come with his own planet, as he sings, “it may not start very large, but no-one else will be in charge”. Musically it builds around a gently strummed mandolin, and sonorous, soaring strings, a bit like Scott Walker if he ever did anything lo-fi. It’s a fine introduction to the 50 Song Memoir, a record which in time might just go down as Stephin’s finest work.

50 Song Memoir is out now via Nonesuch.

.for the rabbits

 

BANANA: AFTER 50 YEARS THE ULTIMATE WARHOL VELVET UNDERGROUND MYSTERY IS FINALLY (ALMOST) SOLVED!!

http://dangerousminds.net/comments/after_50_years_the_ultimate_warhol_velvet_underground_mystery_is_finally_al?utm_source=Dangerous+Minds+newsletter&utm_campaign=081a72923c-RSS_EMAIL_CAMPAIGN&utm_medium=email&utm_term=0_ecada8d328-081a72923c-65898589

BANANA: AFTER 50 YEARS THE ULTIMATE WARHOL VELVET UNDERGROUND MYSTERY IS FINALLY (ALMOST) SOLVED!!

It was fifty years ago this week that the future began with the Velvet Underground, Andy Warhol, and his banana. The destruction and rebuilding of rock ‘n’ roll music as it then existed commenced. This was all taking place even though only a few people knew about it at the time. The right few, as always. I have to think that anyone reading this knows the history of the Velvet Underground so I’m not going to rehash it here.

 

 

UNDER THE RADAR: Feist – “Pleasure”

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UNDER THE RADAR: Feist – “Pleasure”.

Leslie Feist announced this week that she’ll soon release Pleasure, her first album since Metals in 2011.

“Pleasure,” the new album’s opener and title track it’s an intriguing foretaste of what’s to come: surprisingly lo-fi, bluesy, and ferocious on a PJ Harvey wave while maintaining the understated grace and fortitude that has always marked Feist’s best records.

.stereogum

 

THIS IS OUR MUSIC: The Pop Group – “Where There’s A Will”

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THIS IS OUR MUSIC: The Pop Group – “Where There’s A Will”.

Originally released as 7” single in 1980 and unavailable for several decades, ‘Where There’s A Will’ has been remastered from original tape for reissue as the opening track of The Pop Group’s compilation of rarities ‘Cabinet of Curiosities’.

An incendiary dance, it revels as much as it rebels. The song unleashes a feral form of torn, breakneck agit-funk with its potent urgency and savagely scathing vitality undimmed since its original release. A breathless torrent of writhing deviant disco bassline and volcanic free jazz sax, the song is electrified by Mark Stewart’s vocals, a rasping blitz of politically-charged calls for defiance and solidarity.

The countercultural militant message is delivered as a hysterical, riotous spree, as Gareth Sager (guitar, sax) explains, “The group’s best attempt to mix a message with a groove plus some real free playing. If you’re really unhinged you may be able to dance to this.”

The ‘Where There’s A Will’ video, which reworks rare footage of the band performing the song on Belgian TV in 1980, has been realised by The Pop Group’s visual collaborator, NY based artist Rupert Goldsworthy,

The Pop Group formed in Bristol in 1977 out of a sense of disenchantment with the increasing conservatism of punk.
Drawing on an eclectic range of influences from free jazz, conscious funk, heavyweight dub to avant-garde experimentalism, alongside contemporaries like Public Image Limited, This Heat and Throbbing Gristle, they were at the forefront of a musical period marked out by its ground-breaking innovation.