HOW TO MAKE AN ACID HOUSE CLASSIC: BRITISH DOC LOOKS AT THE BUSINESS OF HAPPY MONDAYS’ ‘BUMMED’ (1/2)

HOW TO MAKE AN ACID HOUSE CLASSIC: BRITISH DOC LOOKS AT THE BUSINESS OF HAPPY MONDAYS’ ‘BUMMED’ (1/2)

Factory Records released the Happy Mondays’ second album Bummed, which was the band’s first real breakthrough, and the Granada TV show Information Technology in the U.K. released an episode depicting the business decisions that went into what proved to be one of the touchstones of acid house culture.

The documentary, which lasts about 20 minutes, takes us through three “Decisions,” those being “Recording Budget,” “Promotion Budget,” and “How Many to Make.” The strategy the filmmakers adopt is mostly fly-on-the-wall, so viewers have to glean information as best they can.

The affable Tony Wilson is our guide through some of the process, during which we see Tony Michaelides, Factory head of PR, grumbling about Shaun Ryder and Co. failing to appear for a radio interview; the esteemed producer Martin Hannett twiddling knobs at a console while the band lays down tracks; and manager Nathan McGough patiently explaining that Happy Mondays are worth the trouble even though they are a pain in the ass.

We also see the band and their friends at Central Station Design deciding on the album artwork as well as what the first single should be. (It was “Wrote for Luck.”)

The program ends with a glimpse of the band playing a show at Dingwalls on January 9, 1989. In the clip, the song they are singing is “Do It Better.” Features some decent footage of Bez doing his Bez “freaky dancing.”

.dangerous minds

 

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