Roger Waters shares video for poignant new song “The Last Refugee”


Roger Waters shares video for poignant new song “The Last Refugee”.

First solo LP in over two decades, Is This the Life We Really Want?, lands next month.

On June 2nd, Roger Waters will triumphantly return with his first solo album in 25 years, Is This the Life We Really Want?.

The Pink Floyd frontman’s offering, today’s “The Last Refugee”, follows suit quality-wise.

Waters’ voice is tender here, and backed by a similarly gentle mix of piano and minimal percussion. Its corresponding music video, helmed by Waters and past collaborator director Sean Evans, takes the emotional level up a notch by reminding us of the humanity of the Syrian refugee crisis — something that’s too often forgotten and obscured when politics and bureaucracy come into play.


MUSE share action-packed video for new single “Dig Down”


MUSE share action-packed video for new single “Dig Down”.

The English band’s first release in nearly two years.

Muse return today with their first new release since 2015’s Drones. Titled “Dig Down”, the track is a stuttering, mostly sparse number with hints of glam rock flare. The single was co-produced by Mike Elizondo and Muse and mixed by Spike Stent.

Accompanying the track is an action-packed video directed by Lance Drake (Twin Shadow, Miike Snow). Aptly, it stars someone who knows quite a bit about persevering through tragedy: Lauren Wasser, a former model and athlete who lost her leg to toxic shock syndrome.


THIS IS OUR MUSIC: The Clash – “Spanish Bombs” – live Capitol Theatre – Passaic, NJ, 3/8/1980


THIS IS OUR MUSIC: The Clash – “Spanish Bombs” – live Capitol Theatre – Passaic, NJ, 3/8/1980.

A good number of Strummer’s songs insist upon a deeper listen and oftentimes require a trip to the library. For example, “Spanish Bombs”. The singer penned the track after hearing about terrorist attacks aimed at Spain’s more touristy hotels, which reminded him of the IRA bombings in the UK. Just like a sly historian, Strummer weaved in references to the Spanish Civil War in the ’30s (“Or can I hear the echos from the days of ’39”) and poet and anti-fascist martyr Federico Garcia Lorca (“Federico Lorca is dead and gone”). He also condemns his fellow British countrymen for flying into the beautiful country, unaware of the domestic strife boiling around them. It’s all heavy stuff, but it doesn’t feel heavy, thanks to Mick Jones’ driving arrangements that take us from smoke-filled skies to sunny dances by the shore. One of many juxtapositions that would make up The Clash’s trademark sound.

The Only Lyric That Matters: “Back home the buses went up in flashes/ The Irish tomb was drenched in blood/ Spanish bombs shatter the hotels/ My senorita’s rose was nipped in the bud”


UNDER THE RADAR: Beach House – “Chariot”


UNDER THE RADAR: Beach House – “Chariot”.

Beach House has shared the track “Chariot” off their upcoming album B-Sides and Rarities, a collection of 14 tracks that never made it onto any of their 6 previous albums.

“Chariot” comes from the Depression Cherry and Thank Your Lucky Stars era; both albums were released in 2015 only months apart. In a press release, they explain, “When we announced that we were releasing a B-sides and rarities album, someone on Twitter asked, ‘B-sides record? Why would Beach House put out a B-sides record? Their A-sides are like B-sides.’ This random person has a point. Our goal has never been to make music that is explicitly commercial. Over the years, as we have worked on our 6 LPs, it wasn’t the ‘best’ or most catchy songs that made the records, just the ones that fit together to make a cohesive work. Accordingly, our B-sides are not songs that we didn’t like as much, just ones that didn’t have a place on the records we were making.”